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Vesti Nijni-Novgorod (Russia) - April 2019

Video report on the concert in Nijni-Novgorod Philharmonic Hall on April 15th

Libération (France) - April 2019

Guillaume Tion

"Arthur Ancelle and Ludmila Berlinskaya are on fire once again (...) These two complement each other perfectly and find step by step a common path where they flourish in mirror. »

Musical Life Magazine (Russia) - March 2019

Vladimir Zisman

"The ensemble mastery of the Berlinskaya-Ancelle duo was absolutely amazing and led the audience to the greatest admiration. The unity of stroke, phrase, sound, rhythm was amazing. And the tempo changes, in particular in the Suite of Rachmaninoff were so logical that it seemed that it was not a problem for the performers at all to make all these accelerando and meno mosso together."

concertonet.com (France) - March 2019

Christian Lorandin

"These thousand personal qualities, united by a formidable technique, give rise to one of the most brilliant and endearing piano duets of today. (...) The work flourishes in all its climates, nostalgic and dreamy, bubbling and passionate, dark and intense; the inner voices are illuminated, the architecture solid, the paroxysms reached."

Badische Zeitung (Germany) - February 2019

Alexander Dick

"The two soloists Ludmila Berlinskaia and Arthur Ancelle share this mood for playing and enchant in their incredibly dense interaction with extreme precision in technique and articulation - as if the four hands belonged to one body. Especially swirling, by the way, with the encore - the "Snowflakes" from the jazz suite of the Russian jazz pioneer Alexander Tsfasman."

Klassik Begeistert (Germany) - February 2019

Leah Biebert

"The emphasis on phrases in the piano is expressive, but does not seem overloaded; surprising accents in the percussion repeatedly break through the dreamy ductus of the second movement. The pianists of the duo Berlinskaia Ancelle pass the phrases from hand to hand almost unnoticed - both the deliberately calm of the second movement and the rebellious shimmering of the third.
Ludmila Berlinskaya plays expressively, her hands whirling over the keys to hear the castanets. She almost rises from her stool, throws her head aside and her hands in the air. Arthur Ancelle on the other side seems less excited and radiates a pleasant calm even in lively passages."

Paris Capitale (France) - February 2019

Michel Doussot

An interview of the Duo in one of Paris' most fashionable magazines

Ouest France - January 2019

Vincent Cressard

"The repertoire for two pianos is little known to the public. Accomplices in life as well as on the stage, soloists Ludmila Berlinskaya and Arthur Ancelle have chosen, for several years, to make shine these demanding compositions on two keyboards. With "Belle Epoque", the first album in a series devoted to the original repertoire for two pianos, the Franco-Russian duo plunges us into the heart of French music. (...) The perfect harmony of the duo opens a world where the two instruments become one."

Gramophone (UK) - December 2018

Jeremy Nicholas

"In the March 2017 issue it was a pleasure to give a warm welcome to a recital from this husband-and-wife duo featuring the first recording of Saint-Saëns’s arrangement for two pianos of Liszt’s mighty B minor Sonata. They follow this with a second highly engaging and resourceful two-piano programme. (...) Here the war is referred to both obliquely and directly in all three movements, given a bold and characterful outing by the Russian duo"

artamag (France) - December 2018

Jean-Charles Hoffelé

"the cycle is much more ambiguous than it seems at first, Ludmila Berlisnkaya and Arthur Ancelle scrutinize the tiny shadows, the suspended lyricism, the unforgettable and fugitive melodies, the three beats dancing at the edge of the volcano, illuminating the comprehension of the musical text with a definitive art of piano playing (...) Ludmila Berlinskaya and Arthur Ancelle restore in their worrying keyboards the abyss where resonate the lost calls of the bugles wandering on the battlefield, requiem of sounds finely incarnated."

Musicweb-international - December 2018

Stuart Sillitoe

"This is not the first disc by the Ancelle Berlibskaya piano duo that I have, and I am sure that it won’t be the last (...) they give some marvellous performances (...) The performances are very good throughout, with the swifter tempos of Ancelle and Berlinskaya often helping (...) The sound on the whole is also very good, as are the booklet notes, making this a very attractive and welcome addition to my collection ; highly recommended."

Interdit d'Interdire (France) - December 2018

Frédéric Taddeï

Ludmila & Arthur are part of the TV show on Russia Today Tv channel, to talk about "Belle Epoque"

International Piano (UK) - December 2018

Colin Clarke

"Here is a disc that is effervescent with joy from the off (...) Berlinskaya and Ancelle's pianism is fluent and sensitive (...) Debussy's En Blanc et Noir is the most famous piece here, given a superbly intelligent reading that breathes its own rarified air. A most interesting release"

Concertclassic (France) - November 2018

Alain Cochard

"the two pianists alternate two and four-hands pieces with exemplary complicity. The same complicity they share in telling the story they have woven, and which they unfold with a mixture of humor and tenderness. (...) In the hall, adults and children enjoy a wonderful tale in music with the same happiness ; it deserves to be repeated on other scenes !"

Paris Notre-Dame (France) - November 2018

Isabelle Demangeat

"Enchanted parenthesis of a hour and a half when Claude Debussy, Piotr Illitch Tchaikovsky or Modest Mussorgsky have resumed life under the mischievous but assured fingers of the duo. They have resumed soul. Because seeing both artists bend their backs, make their fingers dance on the pristine keyboard, vibrate as they tip their head, look at each other, smile and go away with a peaceful but exhausted face, it can here be only a question of soul."

Kerk en Leven (Belgium) - November 2018

Kerk en Leven - J.C.

« Rarely do we hear Haydn this way: serious and airy simultaneously. Ancelle plays each note and every silence precisely and still gives you the feeling that it shouldn’t be taken too seriously (…) Joseph Haydn's humor is constantly present in the three sonatas. Arthur Ancelle clearly took to heart the recommendation written by the composer on the top of his scores : to play with open-mindedness, not stiff or in scholar way. In his own variations, Ancelle shows how much he masters the smooth combination that makes Haydn so characteristic : delicious spontaneity and freedom of mind on one hand, zest for life and harmony in the other. »

La Croix (France) - November 2018

Emmanuelle Giuliani

Interview and presentation of recent album and upcoming concert in French newspaper La Croix

Lark Reviews (UK) - November 2018

Lark Reviews

"Reynaldo Hahn’s Le seul amour is intensely beautiful, but surrounded by equally compelling pieces. A lovely disc."

France Musique - November 2018

Lionel Esparza

Lionel Esparza and his guests discuss the latest album release with a cocktail at the Hotel Bedford in Paris for France Musique's "Classic Club"

Classica (France) - November 2018

Jacques Bonnaure

"Ludmila Berlinskaya and Arthur Ancelle are models of precision and charm, with a sense of looseness, fluidity, and flexibility of timbre perfectly adapted to this extremely rich program"